Daniel J. Terra (1911-1996) is the inventor of a revolutionary printing technique thanks to which he made a fortune in the industrial field. His interest in art led him to acquire works of art as early as 1937 and, little by little, he built up a collection of American art which brings together today almost a thousand works going from the colonial period to the middle of the 20th century. His passion for the American cultural heritage materialized in the creation of a foundation, the Terra Foundation for the Arts, and of its two affiliated museums, the Terra Museum of American Art in Chicago and the Musée d'Art American in Giverny.

Terra first bought in Giverny the property situated next to Claude Monet's house, where several American painters lived at the turn of the last century. At first he planned to exhibit paintings made by American impressionists. However, the space in the house was lacking and he chose to have a new museum built, whose realization he entrusted to the firm of architects Reichen and Robert. In an attempt to make the building blend with the surrounding landscape which Claude Monet (1840-1926) was so fond of, Philippe Robert set it on the hillside, on the natural slope of the land, revealing only part of its Norman limestone walls crowned by planted terraces.

When Claude Monet moved to Giverny in 1883, many American and European artists settled down in the village until World War II and formed an important colony of impressionist painters. This colony of artists developed itself around painters like Theodore Robinson, Lilla Cabot Perry, Frederick MacMonnies, Frederick Carl Frieseke.

Claude Monet, leader of the Impressionists, lived in the small village of Giverny, near Vernon, from 1883 until his death in 1926.

The house and gardens have been restored and maintained as they were during his lifetime with the house decorated in its original color schemes. Monet’s home, a pink and green cottage whose entrance is framed by two large yew trees, leads into the visitor’s center, which was his studio. The yellow dining room and the blue country kitchen, with its tiled walls, have an charming intimacy where you can imagine him getting together for large family meals or entertaining his fellow artists.. The house contains reproductions of his works and his collection of 18th-19th century Japanese prints. The huge studio where he painted the famous ‘Water Lilies’ is not far from the house and now houses the Claude Monet Foundation’s shop.

He loved flowers and the magnificent gardens slope gently down to the River Epte. The gardens also comprise the walled garden, planted according to Monet’s own design, and the Water Garden, shaded by weeping willows, with its famous Japanese Bridge, its wisterias, azaleas and its pond with water-lilies

Monet's garden is incredibly beautiful from April to October. Flower varieties bloom one after another so that the garden changes gradually with the seasons while keeping its colors and brightness. The peak period is May-June. In summer you can enjoy the beauty of all the annual flowers and of the famous Nympheas (Water-lilies). In September and October the gardens is a feast of giant flowers of splendid colors.

The house and garden which inspired him were left to the Academie des Beaux Arts in 1966 by his son. It is only 75 kms from Paris.

Within a few hundred yards of the house is the Museum of Impressionism founded originally by Daniel and Judith Terra to commemorate the inter-relationship of French and American Art, the musee des impressionnismes Giverny invites you to discover masterpieces in a prestigious historical site. The great impressionist painter Claude Monet moved to the village of Giverny in 1883. Shortly thereafter, a group of American artists followed. These young artists were eager to learn impressionist techniques in the Norman landscape so dear to Monet. A thriving colony soon developed.

For over thirty years, between the 1880s and World War I, a colony of American impressionist artists settled in Giverny, near the house of Claude Monet. A century later, Daniel Terra, an American businessman and collector of paintings of the Giverny colony, made his dream come true by showing these works in their birthplace. He inaugurated the Musee d'Art Americain Giverny in 1992.In 2009, the Musee d'Art Americain Giverny became the Musee des Impressionnismes Giverny. Its mission is to contextualize the international dimension of the impressionist movement, with particular attention given to the examples of the Giverny colony and the Seine River valley artists. This new museum focuses on the history of impressionism (whether French, American or international) and post-impressionism and on its more recent influences on twentieth-century art.

Giverny is a key venue for an impressionist journey to the Seine River valley, and it also plays an essential role in the development from impressionism to twentieth-century art.

Giverny's rich history has ultimately transformed the small village into an important historical landmark. Its location, on the borders of the Ile-de-France region and Normandy and halfway between Paris and Rouen, make Giverny an ideal and important stop for an impressionist tour.

April - Tulips, pansies, forget-me-nots, narcissi, aubrietas, cherry and crab-apple blossom, fritillaries, daffodils, etc.

May - Irises, peonies, rhododendrons, geraniums, wisterias, azaleas, wallflowers, daisies, delphiniums, etc.

June - Roses, poppies, clematis, Tamaris, etc.

July - Roses, nasturtiums, ageratums, zinnias, nicotianas, busy lizzies, verbenas, dahlias,
Rudbeckias, salvias, primulinus gladiolus, cleomes, cosmos, sunflowers, helianthus,
Hollyhocks.. Beginning of water lilies.

August - Dahlias, cosmos, hibiscus, etc (see July). End of waterlilies.

September - Nasturtiums carpet the Grande Allee. Asters, dahlias, cosmos, rudbeckias

October - Dahlias. All the annual flowers until frost.

In the early 1870s there was still a strong Salon system which allowed painters to exhibit and sell their works. The system of dealers supporting the artists had still not yet been developed. The works of Renoir, Monet, Sisley, Pisarro, Cezanne and others were refused by the Salon Judges and as a result in 1873 they decided to form the Society of Painters, Draftsman, Sculptors and Engravers so they could exhibit their works publicly. In 4 weeks only 3500 visitors came compared with 400,000 who went to the Salon. 1o days after the first show a mocking article was published called "Exhibition of the Impressionists". Although the term was used pejoratively at first it later on became generally accepted.